Directed by Rob Marshall, Chicago is a film
musical that follows the characters Roxy Heart and Velma Kelly as they try to
escape the judicial system. In particular, I want to focus on the scene given
the name of the ‘cell block tango’. This is a montage of varies inmates’ alibis
spliced together with their musical renditions of such.
Starting the scene
with a close up of Roxy Heart in her prison cell, we begin to hear a rhythmic
increase in noises like water dripping and figure nails tapping. While this
rhythmic buildup in sounds helps set the music in place for the song, I feel it
is also relevant to our theme of movement. Movement through sound is something
we do not think of very often and I feel like this is a good example of such.
The increasing level of sound seems to drag us into the musical number by
curiosity. It moves us through the song in the same way a camera would a scene.
In the same way that the music builds up, the
action happening on screen does too. Each alibi is started off with calm music
and an almost lighthearted setting.
The scene then
explodes with murderous intent, and the music and lighting reflect this. The
movement present here is one from calm to dangerous. This dramatic buildup of
tension is apparent in many aspects of this scene and I feel that movement
plays a major role in this.
While the camera
placement and scene changes move us through the story of this number, I feel
that the choreography and music play a very vital role in the visual
representation of this scene. In terms of choreography, there the same form of
buildup present. After each alibi, a new dancing couple is added to the chorus.
Starting with just one and ending with a climax of all the inmates in their
final chorus. This buildup of dancers, like with the music and the effects in
the scene, moves us through the climactic buildup that is this number.
As a last thing of note, I feel obliged to
mention the sheer use of line in the imagery of this scene. Every position of the
choreography has these dancers in a strong and dynamic pose. These strong,
often diagonal lines imply harsh movement, making it apparent that these women
are ready and willing to put up a fight if need be.
Reference: Imdb-2014-Imdb.com[http://www.imdb.com/title/tt0299658/][Last accessed on 20/01/2014]
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