While being more than just am art form or style of design, Art Nouveau was present in many different facets of life at the time. From street lamps to furniture and from posters to sculpture, Art Nouveau dominated the late eighteen hundreds. Art nouveau was characterised by its inspiration from the natural world and its use of curvilinearity.
Arguably most well-known for his prints and posters, Toulouse Lautrec was a French painter of the post-impressionist era. Toulouse often depicted the many aspects of his theatrical life in his work.
Arguably most well-known for his prints and posters, Toulouse Lautrec was a French painter of the post-impressionist era. Toulouse often depicted the many aspects of his theatrical life in his work.
This image here is a
poster for the ‘La Goulue, concert balll’. In terms of our themes, I choose to
prioritize movement for this piece. The first and possibly most obvious reason I
hose movement is the dynamic nature of the piece. If I were to deconstruct this piece into the
formal elements that compose it, we could clearly see, for one, the use of line
in this work. Deriving from the Japanese
prints, the bold and curvilinear lines have a strong effect on this piece and
many pieces done in the Art Nouveau
style. These lines make this piece dynamic, the lines themselves appear to be
caught in motion.
Something not to
overlook would be the use of type at the top of the poster. The artist,
Toulouse, has chosen to use repetition in the word Moulin Rouge. While his
reasons are his own, I feel like this repetition has only added to the movement
found in this piece, which makes sense considering the dynamic nature of the
Moulin Rouge.
Movement can also be
found in a more subtle detail of the piece. The artist has chosen to split this
poster into three parts. Foreground, middle ground, and background. While one
could argue that is a very common decision for most artwork, in this work,
these different grounds have be joined together through the use of a single
point perspective. By using this perspective,
our eyes seem to move through the scene as if we were in the Moulin Rouge
itself. This is the detail I personally enjoy the most. What better way for a
poster to work, than making the viewer feel so immersed in the place it is
advertising.
References:
toulouse-lautrec-foundation.org-2013 [http://www.toulouse-lautrec-foundation.org/][Last accessed on 28th October 2013]
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